Reading comprehension passages and questions for fourth graders. Fourth Grade Reading Comprehension Worksheets. This page will link you to reading comprehension passage for other grades (1 through 6), as well as animal articles, readers theater scripts, and more. More Reading Comprehension.
Reading Passages With Questions Free Resources ForAsk the children about what is easy and difficult in reading comprehension questions. Things that should not be missing is a parent or teacher must be diligent to take the children to discuss. 460 Words, 1st-2nd Grades.Daily 1st Grade Reading Comprehension Worksheets PDF Samples. How will she ever dance in front of so many people Mom has an idea that. Free Resources for Aspiring Law StudentsSophie is nervous about her very first dance recital.Accommodations That May Be Available on the LSAT Changing or Withdrawing Your Registration Test Dates, Deadlines & Score Release Dates Prelaw Undergraduate Scholars (PLUS) Programs Advanced-level text-based reading comprehension exercises.LLM & Other Law Programs Application Process Official Guide to LLM, Master’s, and Certificate Programs Official Guide to ABA-Approved JD Programs Appeal Procedures for Accommodation Requests Common Reasons Why Documentation Is Deemed Insufficient by LSAC They are followed by two or three sample questions each. Three single-passage Reading Comprehension passages are included. Application Requirements - LLM & Other Law ProgramsThe sample questions on the following pages are typical of the Reading Comprehension questions you will find on the LSAT. His merger of a popular genre with the forms and intentions of fine art generated a complex result: while poking fun at the pretensions of the art world, Lichtenstein’s work also managed to convey a seriousness of theme that enabled it to transcend mere parody.That Lichtenstein’s images were fine art was at first difficult to see, because, with their word balloons and highly stylized figures, they looked like nothing more than the comic book panels from which they were copied. Passage for Questions 1, 2, and 3The painter Roy Lichtenstein helped to define pop art—the movement that incorporated commonplace objects and commercial-art techniques into paintings—by paraphrasing the style of comic books in his work. However, you are to choose the best answer that is, choose the response that most accurately and completely answers the question. For some questions, more than one of the choices could conceivably answer the question. The questions are to be answered on the basis of what is stated or implied in the passage or pair of passages. Directions:Each set of questions in this section is based on a single passage or a pair of passages. ![]() pleasure in its blatant rejection of abstract expressionism respect for its successful parody of youth and innocence enthusiasm for its more rebellious aspects Question 1Which one of the following best captures the author’s attitude toward Lichtenstein’s work? His persistent use of comic-art conventions demonstrates a faith in reconciliation, not only between cartoons and fine art, but between parody and true feeling. With the comics—typically the domain of youth and innocence—as his reference point, a nostalgia fills his paintings that gives them, for all their surface bravado, an inner sweetness. Audio equalizer software for macWere all that characterized Lichtenstein’s work, it would possess only the reflective power that parodies have.”Response (B) is incorrect because, as noted in the first paragraph of the passage, the author believes Lichtenstein’s work transcended “mere parody.” Moreover, the author states in the last paragraph that comics, “typically the domain of youth and innocence,” were Lichtenstein’s “reference point” and filled his painting with “nostalgia” and an “inner sweetness.”Response (C) is incorrect because, as mentioned above, the author believes Lichtenstein’s rebellion against abstract expressionism was not the most important aspect of his work. The author’s appreciation for Lichtenstein’s realism is indicated by the author’s statement that “Beneath its cartoonish methods, his work displayed an impulse toward realism, an urge to say that what was missing from contemporary painting was the depiction of contemporary life.” That the author also appreciates Lichtenstein’s naiveté is demonstrated in this sentence: “Lichtenstein’s work exuded not a jaded cynicism about consumer culture, but a kind of deliberate naiveté.” This idea is further expanded in the next sentence, which says that “for all their surface bravado,” Lichtenstein’s paintings possess “an inner sweetness.” It is important to note that these evaluations appear in the last paragraph and form part of the author’s conclusion about the importance of Lichtenstein’s art.Response (A) is incorrect because, although in the last sentence of paragraph two the author notes Lichtenstein’s connection to a general rebellion against abstract expressionism, the author also states quite pointedly in the first sentence of the third paragraph: “But if rebellion. For example, the author asserts that Lichtenstein’s work “transcended mere parody,” and that unlike other pop art, it did not display a “jaded cynicism.” Similarly, the author holds that there is more to Lichtenstein’s work than “the reflective power that parodies possess in relation to their subjects.” Moreover, the author’s appreciation is reflected in several positive statements regarding Lichtenstein’s work. First, the author’s appreciation for Lichtenstein’s art is indicated by way of contrast with the way in which the author describes what Lichtenstein’s art is not. Response (E) most accurately and completely captures the author’s attitude. appreciation for its ability to incorporate both realism and naivetéThis question requires the test taker to understand the author's attitude toward Lichtenstein’s work.The correct response is (E). In the last paragraph, the author writes, “But, in contrast to some pop art, Lichtenstein’s work exuded not a jaded cynicism about consumer culture, but a kind of deliberate naiveté.”Based on the number of test takers who answered this question correctly when it appeared on the LSAT, this was a middle difficulty question.This question requires the test taker to identify from the context what the author is trying to accomplish by listing some of the themes and objects that influenced and appeared in Lichtenstein’s paintings.The correct response is (A).
0 Comments
Leave a Reply. |
Details
AuthorKerel ArchivesCategories |